“Die Nibelungen: Siegfried” showing at The Electric Cinema

Die_Nibelungen_2On Sunday 2nd November, Birmingham’s Electric Cinema is offering a rare treat:

A matinee screening of Fritz Lang’s 1924 silent movie epic Siegfried, accompanied on live piano by BBC Radio 4’s Neil Brand, the world’s leading silent movie pianist who has performed live scores for a number of classic features.

Made by the director who is famous for the hugely influential expressionist film Metropolis, Fritz Lang’s black and white cinema masterpiece Siegfried is adapted from the same myth that Wagner drew on for The Ring Cycle.

Siegfried (Paul Richter), son of King Siegmund, masters the art of forging a sword at the shop of Mime (George John). On his journey home, he hears tales of Kriemhild, the princess of Burgundy (Margarete Schoen). En route to Burgundy, Siegfried slays the dragon Fafnir, and bathes in his blood. This makes him invulnerable to attack — except for one spot on his shoulder blade which he has missed…

Click here to book tickets.

 

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Film of the Week: Das Experiment

This week’s film is The Experiment (Das Experiment).
Intense thriller inspired by the famous Stanford University prison experiment. Taxi driver Tarek (Moritz Bleibtrau) volunteers for an experiment in which a group of subjects will be divided up into guards and prisoners and locked up together for 14 days. Arriving at the ‘prison’, Tarek is assigned the role of prisoner, and by the end of the first day has already run into trouble with the guards. Over the coming days, the tensions between the two sides grows ever stronger and eventually results in a situation of open conflict.
For Aston students the film is accessible on Blackboard under LSS Undergraduate Information > German > German films to watch online > German Film of Week > week 14
You can watch the trailer here:

http://www.youtube.com/watch?v=1gXnAHfVcKY

Comments can be posted on our facebook page https://de-de.facebook.com/GermanAtAston or on Twitter @GermanAtAston

Viel Vergnügen!

German Film of the Week: The Edukators

This week’s film is Hans Weingartner’s Die fetten Jahre sind vorbei (The Edukators).

Jan, Jule and Peter are anti-capitalist activists of a special kind. They break into wealthy people’s houses, move the furniture around and leave notes saying “Your days of plenty are numbered” or “You have too much money”, signed “The Edukators”. One day the owner of the house they have just entered comes back early. They take him hostage and flee the country. But how will they get out of this situation? And how will they cope with rising tension and jealousy within their group as Jule falls in love with Jan?

http://www.youtube.com/watch?v=MB1UMfC8koc

For Aston students the film is accessible on Blackboard under LSS Undergraduate Information > German > German films to watch online > German Film of Week > week 13

Comments can be posted on our facebook page https://de-de.facebook.com/GermanAtAston or on Twitter @GermanAtAston

Viel Vergnügen!

German Film of the Week

To kick off the New Year in style, German@Aston is introducing GERMAN FILM OF THE WEEK.
Watching foreign language feature films is an enjoyable way to practice your listening skills, learn more about other cultures and be entertained at the same time.

Students at Aston have access to foreign language dvds in our departmental video collection and in the main library. In addition, we subscribe to the streaming service Box of Broadcasts where students can access films that are shown on British Freeview and on a selection of foreign language channels. We have also made a number of off-air recordings available on our VLE.
To guide students who might now feel spoilt for choice, GERMAN FILM OF THE WEEK will each week recommend one German film that can be watched online. So have your popcorn ready, enjoying German cinema doesn’t get much easier than this!

We start this week with German-Turkish director Fatih Akin’s “Im Juli” (In July) a fast-paced road movie slash romantic comedy.
The film takes straight-laced German teacher-in-training Daniel (Moritz Bleibtreu) from Hamburg to Istanbul, in pursuit of the beautiful Melek (Idil Üner). Daniel has to contend with various challenges and dangerous and hilarious encounters as he makes his way through Eastern Europe accompanied by easy-going street vendor Juli (Christiane Paul), who secretly carries a torch for him. Soon Daniel finds himself a long way from home without a car, money or ID – and even his nerdy glasses have been smashed. Will he make it to the Bosphoros to meet Melek?

To give you a taste of the film, here’s the trailer

http://www.youtube.com/watch?v=Mr7WImqnKBM

To see the full film, Aston students should log into Blackboard and go to  “LSS Undergraduate Information > German > German films to watch online > German Film of Week”.
Viel Vergnügen! And don’t forget to let us know what you thought of the film by posting comments on our facebook page or on Twitter @GermanAtAston.

The Cabinet of Dr. Caligari at the Electric Cinema

On Sunday, 30 June 2013, at 6pm, Britain’s oldest working cinema, The Electric in Birmingham, will be showing one of the earliest classic examples of German cinematography: Robert Wiene’s expressionist masterpiece “The Cabinet of Dr. Caligary”.

A twisted tale of madness and somnambulism, set in an eerily distorted version of Germany’s narrow medieval townscapes, this is a film not to be missed.

What makes this screening special, is the synthesised, highly atmospheric live score by Siouxsie and the Banshees’ Steve Severin.

Click here for more information and to book.

Film ab! German Film Season in Birmingham

The next (and final) two screenings of the Birmingham German film season take place next next Wednesday.

The theme for the evening is “memories”. It is approached in diverse ways by two very different directors, both demonstrating how the Germany of today is strongly influenced by both the on-going effects of the Nazi-era and by the social and economic repercussions caused by the Fall of the Wall and the end of the Cold War.

The second film of the night, Robert Thalheims’s “And Along Come Tourists” addresses these issues full on as it asks the question of how we should deal with the memory of the Nazi crimes, almost 70 years after the liberation of Auschwitz. As the last of the survivors die, the issue of how to memorialise the Holocaust and how to communicate the crimes and horrors of the Nazi-regime to a young generation, is much debated in German society. The film shows Sven, a young school leaver who opts to replace his military service with a community service placement at Auschwitz. Working at the visitor centre, he meets survivors and visitors who often resemble tourists and he witnesses the town’s struggle to become Oświęcim, a “normal” Polish place that in many ways tries to free itself from the constant association of German crimes.

Before Thalheim’s very direct confrontation with German memory, Christian Petzold’s “Jerichow” will be shown, a film that is much more obscure in its ways of addressing the past and yet takes place in a world which is very clearly shaped by historical developments.

Petzold works form part of the so-called Berlin School of film-making, renowned for its intellectual avant-gardism and its thematic focus on characters struggling with the anonymity and the insecurities of modern life.

In his films Petzold has repeatedly addressed significant chapters in German history, such as the left-wing terrorism of the Red Army Faction in “The State I Am In” or life in the GDR in his most recent, critically acclaimed film “Barbara”. His films are highly emotional and extremely subdued at the same time.

In Nina Hoss, the star of most of his films, Petzold has found an actress that is ideally suited to portray the strangely vulnerable yet highly resilient female characters at the centre of many of his works. In Jerichow, Hoss once again gives an impressive performance as the seemingly emotionally detached wife of a Turkish migrant who falls passionately in love with her husband’s new employee, a traumatised former soldier who has returned to the east German province after his mother’s death. Although the main focus is on the love story, the characters’ constellation and the deprived surroundings they move in, offer a poignant commentary on the society of post-“Wende” Germany.

Jerichow will be introduced by Dr Elystan Griffiths from the University of Birmingham, and his colleague Dr Joanne Sayner will speak about “And Along Come Tourists”.

The films are shown on 27 Feb 2013 at 6.15pm and 8.15pm respectively at Birmingham’s Library Theatre (map).

The film season is organised by the Birmingham International Film Society with support from the Goethe-Institut London.

“Changing Germany”: Film Season at Birmingham International Film Society

In February, Birmingham’s International Film Society is teaming up with the Goethe-Institut to show a short season of  recent films from Germany. Following the theme “Changing Germany”, the films have been chosen for their various perspectives on contemporary Germany and the country’s social and political changes.

The season kicks off on Tuesday, 5 February, with two films about migration. They will be introduced by Leila Mukhida from the University of Birmingham and Dr Claudia Gremler, Lecturer in German here at Aston. The screenings will take place at the Library Theatre in Paradise Forum (map). For students, tickets are £3.50 per film or £6 for the double bill.

 The first film is Feo Aladag’s directorial debut “Die Fremde” (“When We Leave”), a powerful portrayal of a young woman’s struggle to lead a self-determined life. Having grown up in Germany, Umay now lives in her native Turkey with her abusive husband. When she decides to leave him and returns with her young son to her parents’ house in  Berlin, she fails to foresee the dramatic consequences of her actions.

Starring Sibel Kekilli, who rose to fame in 2004 with Fatih Akin’s highly appraised “Gegen die Wand” (“Head-On”), another Turkish-German drama that dealt with the challenges of interculturalism, “Die Fremde” was very well received. It won numerous international awards for its candid depiction of the private dimensions of cultural conflict  and the effects of male control over women’s lives.

The second film for the evening will be Hans Christian Schmid’s “Lichter” (“Distant Lights”). Schmid is known to British audiences for hard-hitting dramas that often focus on characters in crisis.

In 2006, his remarkable film “Requiem” told the true story of a devout Catholic student in the German province, who attempts to combat her epilepsy with exorcism and suffers fatal consequences. Three years later, Schmid embarked on an international co-production, “Storm”, which explored the legacy of the Yugoslav wars.

“Lichter”‘s sobering subject matter is in line with many of Schmid’s other works. The film is set in the border region between Germany and Poland, in the years before Poland joined the EU. Inspired by Robert Altman’s “Short Cuts”, the film combines a multitude of characters and many different episodes to offer a fascinating yet sad portrayal of life in a region which is shaped by struggle and disillusion. In the film we encounter a group of economic migrants from Eastern Europe, attempting  to cross the border into Germany. But it’s not easy to escape police control and whom do you turn to when you are stranded in a foreign country? Schmid carefully dissects his characters’ naive hopes and dreams and demonstrates the misleading allure of life elsewhere.

Two more films will be shown on 27 February. They deal with the role of memory and remembrance in contemporary Germany. We will bring you more details nearer the time, so watch this space!